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See our New Cantor Advisor Articles!

Cantor Advisor

The Standing Committee for Cantors is happy to provide a series of articles based on questions YOU have asked us - from the cantor section of the NPM website, from our email address npmcantors@npm.org and from personal conversations. We will be addressing specific needs regularly based on questions from you. The answers will be provided by members of the Standing Committee for Cantors. Please feel free to make suggestions by emailing us. We are eager to address any concerns you may have.

New Articles

Animation: The Key to Good Cantoring
Part IV: Body Language and Correct Use of the Microphone
by Mary Lynn Pleczkowski

Animation: The Key to Good Cantoring
Part III: The Gesture
by Mary Lynn Pleczkowski

Animation: The Key to Good Cantoring
Part II: Eye Contact and Facial Expression
by Mary Lynn Pleczkowski

Animation: The Key to Good Cantoring
Part I: Memorization
by Mary Lynn Pleczkowski

Fostering Congregational Song as Cantors, Song Leaders, and Choir Members (pdf file)
by Daniel Girardot

Capturing Lent through Music (pdf file)
by Richard P. Gibala
Published in the February 2004 Issue of The Liturgical Singer

Q: My Music Director and I do not always see "eye-to-eye". I usually have one idea or way of doing things, and she has another. Is there any information available that may help us understand each other's role better?

A: While every individual is unique, there was an article printed in "Cantor Newsletter" a few years ago that addresses this issue. This article was written by Richard Gibala, Director of Music Ministries at St. Thomas More Cathedral in Arlington, VA and Mary Lynn Pleczkowski, Associate Director of Music Ministries at St. James Parish in Sewickley, PA. The article reflects on their time working together as Music Director and Cantor in the both the past and present. POINT / COUNTER-POINT(pdf file)

Q: Where can I receive ongoing training as a cantor?

A: A cantor has a variety of options when it comes to training.  The correct choice depends on the individual cantor and the type of training desired. The first step should be to check with your Music Director for suggestions he/she may have. It is useful to ask your music director to help you do some self-assessment with regard to the following areas: vocal skills, sight singing, basic liturgy, psalmody, and communication. Then you can set priorities on what areas to address first.

Beyond your local resources, NPM offers many training opportunites through our National and Regional Conventions. This year NPM will sponsor three regional conventions in Phoenix, AZ, Chicago, IL and Philadelphia, PA. Brochures are available online, or by calling the National Office. NPM offers more comprehensive and intensive training through our regional Cantor Express schools. Cantor Express brochures are also available through the National Office. To be added to the mailing list, please send a request by email to npmsing@npm.org.

On the local level, cantors can contact their local diocese for information on diocesan cantor training programs. Local colleges and universities may also courses in liturgy and voice lessons. Diocesan Music Directors can also offer suggestions on local NPM chapters and their offerings for cantors.
 
A variety of publications are also available to help cantors improve their skills. The NPM Cantor web pages offer a thorough list of resources available to cantors. These resources include NPM's journal, Pastoral Musician Magazine, published six times each year. In addition, members of the NPM Standing Committee for Cantors are available to answer questions, offer advice, etc!

As you can see, there is a multitude of options available to cantors interested in furthering their ministry. With some thoughtful self-assessment and a little research on your local resources, you can structure your own program to develop your skills and better serve your community.

                                  Submitted by: Mary Lynn Pleczkowski and Joe Simmons

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