New Articles
Animation: The Key to Good Cantoring
Part IV: Body Language and Correct Use of the Microphone
by Mary Lynn Pleczkowski
Animation: The Key to Good Cantoring
Part III: The Gesture
by Mary Lynn Pleczkowski
Animation: The Key to Good Cantoring
Part II: Eye Contact and Facial Expression
by Mary Lynn Pleczkowski
Animation:
The Key to Good Cantoring
Part I: Memorization
by Mary Lynn Pleczkowski
Fostering Congregational Song as Cantors, Song Leaders, and Choir
Members (pdf file)
by Daniel Girardot
Capturing
Lent through Music (pdf file)
by Richard P. Gibala
Published in the February 2004 Issue of The
Liturgical Singer
Q:
My Music Director and I do not always see "eye-to-eye".
I usually have one idea or way of doing things, and she has another.
Is there any information available that may help us understand
each other's role better?
A: While every individual is unique,
there was an article printed in "Cantor Newsletter"
a few years ago that addresses this issue. This article was written
by Richard Gibala, Director of Music Ministries at St. Thomas
More Cathedral in Arlington, VA and Mary Lynn Pleczkowski, Associate
Director of Music Ministries at St. James Parish in Sewickley,
PA. The article reflects on their time working together as Music
Director and Cantor in the both the past and present. POINT
/ COUNTER-POINT(pdf file)
Q:
Where can I receive ongoing training as
a cantor?
A: A cantor has a variety of options when it comes to training.
The correct choice depends on the individual cantor and the type
of training desired. The first step should be to check with your
Music Director for suggestions he/she may have. It
is useful to ask your music director to help you
do some self-assessment with regard to the following areas:
vocal skills, sight singing, basic liturgy, psalmody, and
communication. Then you can set priorities on what areas to address
first.
Beyond your local resources, NPM offers many training opportunites
through our National and Regional Conventions. This year NPM
will sponsor three regional conventions in Phoenix, AZ, Chicago,
IL and Philadelphia, PA. Brochures are available online,
or by calling the National Office. NPM offers more comprehensive
and intensive training through our regional Cantor Express schools.
Cantor Express brochures are also available through the National
Office. To be added to the mailing list, please send a request
by email to npmsing@npm.org.
On the
local level, cantors can contact their local diocese for information
on diocesan cantor training programs. Local colleges and universities
may also courses in liturgy and voice lessons. Diocesan Music
Directors can also offer suggestions on local NPM chapters
and their offerings for cantors.
A
variety of publications are also available to
help cantors improve their skills. The NPM
Cantor web pages offer a thorough list of resources available
to cantors. These resources include NPM's journal, Pastoral
Musician Magazine, published six times each year. In addition,
members of the NPM Standing
Committee for Cantors are available to
answer questions, offer
advice, etc!
As you
can see, there is a multitude of options available to cantors
interested in furthering their ministry.
With some thoughtful self-assessment and a little research
on your local resources, you can structure your own program
to develop your skills and better serve your community.
Submitted by: Mary Lynn Pleczkowski and Joe Simmons